April2
Sooo much to post. Let’s see. I just got back from a whirlwind trip to Houston to see the musical Wicked, which I *really* enjoyed. It’s been a long time since I’ve seen an original musical production with 1) hummable tunes and 2) a feel good story. Most of the good stuff lately has been either a revival or the stage-ification of a successful movie musical. My faith has been somewhat restored. The weekend was a lot of fun, but left me feeling frazzled — I didn’t get home until 10:30 last night and haven’t had time to reset yet!!
We went to two museums while we were there: the Houston Museum of Fine Art to see the Metropolitan Museum of Art exhibit of French masters (1800-1920) which are temporarily housed in Houston and not going anywhere else. And then we went to the Museum of Natural History to see an exhibit on Imperial Rome. The former was one of those things I felt like I should see, although I wasn’t feeling particularly inspired to go. It’s funny. The impressionists, realists, pointillists … you’ve seen their work your whole life, in art books, popular culture, countless calendars, address books, mouse pads, note cards … the list goes on and on. So when you experience them in real life, for the most part, it is underwhelming. Just hard to process that this time the canvases are real, not posters on a doctor’s office wall. The big things I notice are the textures, and sometimes, the intensity. I love oil painting as a medium. The element of texture in art is something I really respond to, and seeing these works in person I can get much more of a sense of the layering and the … landscape of the work itself, the hills and valleys of its surface. As for the intensity … sometimes especially in the works of Van Gogh and Cezanne (at least for me) it’s the colors, and with Van Gogh, there’s raw emotion that punches you in the face as soon as you look at the canvas, at least his later works. Not something I could live with. But also not something you can get from a poster print.
The Imperial Rome exhibit wasn’t everything I hoped it would be, but then, I’m not sure exactly what I was hoping for, so that’s probably not a fair statement. There were a lot of household goods, a reconstructed banquet room, along with the standard assortment of busts, statuary, coins, jewelry. They had itty-bitty fingers. I know that’s a profound thing to walk away with. What really is striking to me when I read about Imperial Rome are the marked similarities between US culture and Rome at its height. Since we all know how THAT ended, it’s thought-provoking. I actually know someone whose history teacher in high school lined notable events in the US against a time line of Rome. It is amazing how much of it lines up. Scary stuff…
Other news … let’s see. Thirty Happened. And know what? It isn’t bad at all. I finally figured out what it was that was so terrifying about it for me. It wasn’t the turning thirty. It was what thirty represents. The next five years promise a lot of *major* change in my life. Possibilities include: taking my career to a management phase, Stv going to graduate school to get his PhD, children … I’m sure I could think of a few more, but those are the major players at the moment. And turning thirty makes me look at those things and know that they’re coming in the very near future. It’s scary. For now, I’m taking things one decision at a time — any more than that and I’ll drive myself crazy. We’re still waiting to hear back from UT. Stv had his interviews there about two weeks ago. So we’re holding out for the thumbs up/down. Please say a little prayer for him … heck, while you’re at it, say one for us both!
I have book I have to read for work that I still haven’t finished. Unfortunately, for this kind of thing there are no cliff notes. So more updates later.
I promise. Really!